The Anniversary of Hurricane Sandy and My Work in the News

I am simply going to copy and paste what my agent Jeffrey Smith at Contact Press Images wrote yesterday when he posted the good news on Facebook that my long term photo book project was given some media attention on both Slate and Creative Time Reports. He says it so well and is such an articulate writer that I felt that it would be best to just leave this announcement in his own words.

I am terribly grateful that after years of hard work on this project that I am surrounded with such wonderful, thoughtful and caring and super intuitive and bright photo friends and a great photo agency to boot. I also must thank the wonderful Zoe Strauss who referred Marisa Mazria Katz--the editor at Creative Time Report--to me last year when the hurricane hit the peninsula.

I plan to post an image a day on my blog from the Rockaways that I shot either before or after Hurricane Sandy hit the peninsula and forever changed the hearts and lives of those who lived out there.

Here is an excerpt from my piece on Creative Time Reports:

"Hurricane Sandy marked the abrupt and unplanned end of my 10-year project photographing the once-forgotten neighborhood of Rockaway Park, known to the locals as Rockaway Beach. I first came out to the boardwalk at Beach 116th Street in the summer of 2002. I stood outside the Sand Bar and was instantly mesmerized when I witnessed a bartender jump over a bar with a baseball bat in his hands, chasing a disruptive and unruly customer off the premises. As I looked around the bar at the patrons—a mix of disheveled, raucous regulars and sunburnt beachgoers guzzling down cheap beer from plastic cups—I immediately became enamored with a scene that appeared to be a hundred miles away from the gentrified and homogenized streets of Manhattan. The neighborhood felt untouched by time. There wasn’t one Starbucks to be found on the entire peninsula. I decided to return the next week with my camera."


And here is a photo that I previously published, but recently found in my collection. This was taken in 2008 in front of Gloria Manor adult home where two of the residents, a married couple who share the same room had just bought some soft serve ice cream from the Mr. Softee truck that arrived like clock work in the afternoon, parked outside and served ice cream to the residents.

"Ester and David at the Mr. Softee Truck", Summer 2008, Rockaways, NYC. ©Juliana Beasley

Lovely Celeste

Last week I posted a photograph of Bethany with two of her three children in front of their house in Etna, Maine. Today I am posting a portrait that I took of her daughter, Celeste standing in front of one of the houses at Camp Etna. The sunlight that was filtered through the leaves and a touch of fill flash made for a surreal quality to the image. Celeste was a great model and allowed me to take the time to get the right lighting and expression. Of course, Celeste loves to smile and I did have the opportunity to capture some of her smiling but I believe this is the most provocative of the images I took of her that day. I completely miss the calm and peace and the wonderful and enchanting people I met while I was photographing up in Maine with my assistant/intern Madeleine Budd. Back in the city to cramped living quarters and hustle of trying to make a living as a photographer.

"Celeste Portrait #1", Etna, Maine, Summer 2013. ©Juliana Beasley

This was the first time when I depended completely on my digital camera. I have scoffed my DSLR for years and now, with no money to pay the costs of film development (despite having a refrigerator full of 120 film and Polaroid too!!) and scanning negatives on a higher end scanner, I had to give into the technology and warm up to the world of digital. I am somewhat of an anachronism at this point.. I still believe that film is where it really is at but under my circumstances I had to the use the tools that were the most economic. I wouldn't say I would choose my Rollei over my DSLR if someone handed me a wad of money to work solely on my artwork but I discovered that I am capable of working with this medium which still feels so elusive and intangible. I don't trust it and I think it comes down to the fact that I can't cut the developed negative strips and put them away in a case and store them on my shelf. Yes, I do not trust it.

I also find that I am not as focused when I shoot digital. Given the fact, that when I shoot with my Rollei, I only have 12 frames to shoot very wisely and with great concentration before I have to unhinge my flash bracket, roll the shot film and reload it again with another roll of 120 and then close the back and reattach the flash bracket. I am a different photographer perhaps when I shoot digital because I can take many many more images and so much is just disposable. Maybe this gives me the room to experiment and screw up more which is always a wonderful way to learn how to take stronger images.. sometimes, those mistakes are great teachers and they sometimes are the keepers.

I can't set back the clock to before the digital photo revolution. I often wish I could.. there would be less amateur photographers who believe they are photographers and less would still be more. I am still incapable of the inevitable: analog really is dying and I want to get up on a soap box and educate the average consumer and tell them that analog is still superior in my mind. I'm a slow learner and I catch onto trends often very late and sometimes this has worked to my advantage.

Bethany, Celeste and Baby Guy

I took the following portrait of Bethany with her daughter Celeste and her baby Guy while I was up at Camp Etna in Maine working on a new project. They are sitting in front of their home where they live and which is still in the process of renovation. Bethany and her husband and her three children are the youngest residents at Camp Etna. This was my favorite of many portraits I took of them.

"Bethany, Celeste, and Baby Guy", Etna, Maine, August 2013. ©Juliana Beasley

Meditation of Interiors and Environmentals

Finally, after years of purchasing a beautiful titanium Gitzo tripod at B&H, I finally hunker down and get to work and put my digital camera on it. Amazing! I never had the patience to open up the tripod, find the right height, the right angle and take long exposures. Perhaps, the last year of sitting in lotus position on my pillows and chanting for a half hour for consecutive days on end has spawned this new found passion to be alone with my camera and my tripod and wait for my shutter to open and close for more than a split second.  Much more than a split second!

Here are some of the images I took with and without my tripod during my trip to Camp Etna this summer while working on a new project. And if things weren't getting crazy enough... no, flash!! I'm taking photographs without a flash and I am finding new challenges and learning new skills. And I love it!!

"Medium Steve Hermann", Camp Etna, Maine, Summer 2013. ©Juliana Beasley

 

 

"Inside Cafe", Camp Etna, Maine, Summer 2013. ©Juliana Beasley

"Inside Cafe 2", Camp Etna, Maine, Summer 2013. ©Juliana Beasley

"Inside Lodge #1", Camp Etna, Maine, Summer 2013. ©Juliana Beasley

"Historic Spiritualists", Camp Etna, Maine, Summer 2013, ©Juliana Beasley.

"Vacant House in Woods", Camp Etna, Maine, Summer 2013, ©Juliana Beasley.

"Sunset Ave", Camp Etna, Maine, Summer 2013, ©Juliana Beasley.

"Spiritualist Church", Camp Etna, Maine, Summer 2013, ©Juliana Beasley.

Maine Photo Trip and the Process of Editing

I was sitting in the passenger seat of my intern's Mini Cooper, when I spotted sister's Maggie and Ashley standing at a gas station either in or near Bangor, Maine. I was on a week long photo trip adventure. My intern Maddy sitting in the driver's seat joined to help assist me with my personal project.

I said, "Pull over. Yes, pull over now!", when I saw them side by side, one smaller than the other, both so striking lit up in the light of the setting sun. They complimented one another. When I asked to take their photo, they willingly agreed and I took a series of portraits. Between Maggie's beautiful glowing blue eyes and Ashley's red hair all lit on fire in the sun, they were a winning duo... how could I possibly screw this up?

So, the following image I selected from the 10 minutes I spent with them. They are not part of the larger new project but I think they could be a project unto themselves. Thank you ladies for taking the time to let me photograph you! Maybe they are the project. Hmm....

"Ashley and Maggie #1", Bangor, Maine, Summer 2013. ©Juliana Beasley

 

An Evening at Easton Volunteer Fire Carnival in Connecticut.. Hurray!!!

I took the following photographs the other evening at the Easton Volunteer Fire Carnival in Connecticut. My summer holiday out of the city has almost come to an end and soon I will be traveling to Maine to begin my work on a new project. This was one of my favorite memories of this summer.

-->

"Man with Baby", Easton Firefighter's Fair, Easton, CT. Sumner 2013. ©Juliana Beasley

-->

"Bingo Tents Family", Easton Firefighter's Fair, Easton, CT. Sumner 2013. ©Juliana Beasley

-->

"Girl at Game Booth", Easton Firefighter's Fair, Easton, CT. Sumner 2013. ©Juliana Beasley

 

-->

"Woman Playing Bingo", Easton Firefighter's Fair, Easton, CT. Sumner 2013. ©Juliana Beasley

-->

"Adolescent Girls at Fair", Easton Firefighter's Fair, Easton, CT. Sumner 2013. ©Juliana Beasley

-->

"Family Waiting to Enter Fun House", Easton Firefighter's Fair, Easton, CT. Sumner 2013. ©Juliana Beasley

-->

"Teen Girls in Cut Offs", Easton Firefighter's Fair, Easton, CT. Sumner 2013. ©Juliana Beasley

Connecticut Summer

I took this photograph one late afternoon when I went to swim at a lake in Connecticut. It has been absolutely magical and therapeutic to spend my summer outside of the hot steamy city... there is a lot to be said for the serenity of days spent lingering in divine water.

"Sean at the Lake", Redding, CT, Summer 2013. Copyright, Juliana Beasley