Showing posts with label memoir. Show all posts
Showing posts with label memoir. Show all posts

Monday, January 16, 2012

Tara #2



"Tara, Charlie, and Princess", Rockaways, NYC, 2002. Juliana Beasley



             Over the last year, Bobby had left several messages on my voice mail, one an invitation to Memorial Day BBQ at Jacob Riis Park, another from both him and Tara inviting me to come out and visit. I was walking towards the Path Train, listening to my voice mails one day in March. I became concerned when I heard Bobby’s message.
             "Hey, Juliana. It's Bobby! Are you in the country or are you still in France? I have some bad news. Tara was in the hospital. She’s sick. Call me when you get a chance", he said softly.
             I sat down on a stoop on Mercer Street. I called him the right away. My throat felt tight.
             "Juliana, we thought you weren't in the country. I would have called sooner. I got some bad news. Tara had to go the hospital and they told her she has 3-6 months to live if she don’t stop drinking. They say it’s her liver. She ain’t listening to nobody. She don’t want to hear it. She's still drinking. I don't know what to do. It's pretty serious. You still out of the country?" he asked.           
“Can’t you talk to her about this?” I said. “Is there something I can do?”
            “I think you should just come out here. I don’t know how long she got”.
             I heard a shrill of laughter in the back round.
             “Hey, Bobby. Who you talking to?” I heard Tara’s voice in the back round.
"Look, Juliana,” Bobby said. “Tara just walked in the door. She don’t want to talk about any of this stuff. So, don't bring it up.”
“Hey Tara. It’s Juliana. Do you want to talk to her? Here take the phone.” He sounded exhausted. Tara depleted almost everyone of patience despite her childish charm.
             "Hey, Juliana you still in France? When are you coming back? Where are you anyway? When you coming out here?" she asked like a toddler shooting questions rapid fire, one after the other, without necessarily any interest in the answers.
             Tara sounded giddy, excited and emotionally unavailable. I could imagine her holding her mainstay, a plastic big gulp cup, endlessly filled with beer, and eternally attached to her right hand.
             “I’m coming out soon. I’m busy with work. I’ll try to make it out there in a couple of weeks”, I said. I had every intention of going out there but never did.
Bobby had given me fair warning. Tara had a death sentence. She was 41, she would be 42 this year and she was dying of cirrhosis of the liver. That was the last time I heard her voice.
**********


For the last seven years, traveled out to the Rockaways.  I brought my camera to photograph many of people whom had shared themselves and their lives in front of the lens.  Only twenty miles from midtown Manhattan or a one hour trip on the subway, whenever, I get off the train at the last stop, I felt like I have I had taken a trip to another country, maybe even another planet. With the passage of time, many city neighborhoods, now gentrified, were left indistinguishable to others, but not Rockaway Park. Many of the buildings and the people I portrayed in my project felt like abandoned relics of another past decade. Many of the locals seemed hermetically sealed in a bubble, cut off from the rest of NYC. During my time spent out there, I witnessed the real devastation of poverty, mental illness and addiction upon the lives of my friends and acquaintances. They were occupied with the survival of day-to-day life. Colleen’s daughter gets pregnant again, Bryan dies way to young, and Phil was beaten near death in an act of gang violence. For many of them, anything beyond the scope of the 10-block radius was foreign territory. They read their own newspaper called “The Wave”. They are loyal to their peninsula and the various neighborhoods that make up the Rockaway’s. Liberal-minded Manhattanites represent a threat to their secular way of life and for the most part, are not welcome unless it is tourist season and they have money to spend.
 I remember one summer, early morning; I walked onto the veranda of my friend Charlie’s SRO. The cool air from the ocean wrapped around my body and activated my senses. I was surprised at how well rested and limber my body felt. I had slept on the floor in Charlie’s room the night before. He woke me several times during the night, “Juliana. Hey, stop snoring.”
Two older men, sitting on beat up office chairs on the porch wished me a good morning. I had gotten to know them through past visits. As much as they seemed fond and accepting of my untimely visits, the strange old camera that I carried around my neck, and my endless probing questions about the neighborhood, they liked to make jokes on my account. I didn’t fit in. They smelled it and knew it.
            “Where are you going?” they asked as I was walking down the stairs of the SRO.
            “I’m going to get some coffee,” I responded.
            “You won’t find a Starbucks out here, “ they laughed and snorted.
            “Hey, I know that,” I responded defiantly, “I’m on my way to Dunkin Donuts,”
But, I knew that they were right; if there were a Starbucks in the neighborhood, I would have dropped my loyalty to D&D and in line with my city-slicker ways, would have picked up a two-dollar “doppio on ice”.
Over the years of photographing out in the Rockaway’s, I had occasionally mentioned when I would leave the country for a photo festival or a show. When I returned to the neighborhood after a long hiatus they always asked me if I had been out of the country. Beyond the blinds of their provincial and forgotten neighborhood, I often believed they imagined I lived a jet-set life, flying from one continent to another when really, I was just one state away in Jersey. Often, I was just at home with Moishe and Howard. Maybe they thought I didn’t exist at all outside of the Rockaways. I was certainly out of sight, and felt very much out of their minds when I was anywhere else.
            Last winter, my life wasn’t the perfect fictitious story of an artist globe-trotting from one show to the next. Unlike, my friends and acquaintances out in the Rockaway’s might have imagined (or at least what I imagined they imagined), my life was hardly glamorous.  My life was not carefree. I wasn’t flying around the world.  My life was on standby. I felt more like a mouse stuck in the gelatinous glue of a sticky trap. Everything appeared lackluster. All the familiar signs were there. I was no longer in remission. I was in the middle of major depressive episode.
My antidepressant, Nardil, the fluorescent orange pills that I had been taking for the last seven years, once worked, now no longer worked.  I called my psychiatrist for an appointment. I needed to be tweaked.
I went to his office in midtown Manhattan. I took the R and got off at 60th and 5th Avenue. I walked briskly with purpose, blinders on and eyes focused straight ahead. The irony of walking past Barney’s and the DKNY store on either side provided the wicked reminder of a time when I still had shopping privileges beyond the rare underwear or bra purchase at Kohl’s or Marshalls, of a time rid of financial worries, and of a time when I still believed that I could make a living as a working artist.
“I don’t think the Nardil is working anymore.” I said to Dr. Long.  “It hasn’t been working for a long time. Anyway, didn’t we want to try to put me on Ritalin? Anyway, I remember you scored off the charts on that ADD diagnostic exam I gave you before you left the last time.”
No, surprise to me that I passed for positive since most of the books on my shelves remained half read.
“Plus, “ he added, “I think it might jump start you out of your depression”.
I was ready to take any measures not only to concentrate but to get out of bed even if it meant getting hooked on speed, at least for the time being.
Nardil presented all kinds of problems when mixed with a long list of foods and many other drugs—namely sudden death. Nardil is one of the oldest anti-depressants on the market. I have never met anyone else on the medication. The only other person I ever heard of that had been prescribed Nardil is Marilyn Monroe. This makes me feel a little more glamorous, despite the fact that she died of a fatal overdose.
I sat across from him, a large wooden desk between us.  He shuffled through his notes, refreshing his memory of past trials, questioning me ever so often of my previous success or troubles with various medications. I looked at the creepy rubber band dispenser, an arm’s distance away. The transparent Lucite human head was missing the top of his skull. A clean lateral slice had left it topless, exposing a purposeful cavity: the perfect compliment to any psychiatrist’s flotsam of office supplies complimentary of pharmaceutical reps. I reached over, dipped my hand into the top of the head, pulled out a rubber band, wrapping it around my fingers while we talked.
Juliana”, Dr. Long said. “We can give it a try but you remember you have to go through a 3 week wash out period once you taper off the Nardil before I put you on a SSRI. It won’t be pleasant”.            
I left elated his office elated with the prospect of new meds that possibility could lift me out of my depression.  Yes, I want speed.

Wednesday, December 21, 2011

Bungalows and No Boundaries... Speaking My Truth




"Joel, Baby Joel and Stephanie On Bungalow Porch #1", Rockaways, NYC, 2011. Juliana Beasley.



I met Joel, Stephanie and "Baby Joel" (as he is called)  this past summer when I went to Joanne's granddaughter's birthday party. I had never met anybody who lived in the bungalows out in the Rockaways. I went about 30 blocks away from my usual location at 116th Street in Rockaway Park. I hope to continue photographing them and other people living in the bungalows during the next year.

They were kind enough to open their door to me.  Joel's parents, his brothers, his two sisters and his nephew share another bungalow in the same complex.




"Joel and Baby Joel in the Sky", Rockaways, NYC, 2011. Juliana Beasley.




"Baby Joel and Mother Stephanie #1", Rockaways, NYC, 2011. Juliana Beasley.




I am posting a loose edit. Why? Sometimes, I am afraid that I do not make the right final choice. But, I'm sure this is a common feeling amongst photographers, especially now that so much is shot in the digital world. I only get 12 shots per roll. And I'm thankful for that. It makes me focus. And I like to focus.

On another and more profound note:

I want to apologize to my readers or those of you who have kept up with me on my blog. I think I apologize at least quarterly for the same reason. I am not writing as much despite the fact that I love to write and generally, it helps me organize my thoughts and get in touch not only with my creative side but just with myself.  Over the last year and a half, I have honestly considered talking very frankly about what has been going on in my life. Some of the stuff is very personal. Actually, most of it is.

In the past, I have written posts that have been brutally forthright about difficult periods (in particular my fight with clinical depression) in my life, as well as joyous ones. I have gotten good feedback. I have also received thankful responses from people going through similar problems. I'll refrain from using the word "issues". So, I hope writing with honesty about my personal struggles, as well as my successes can be of some comfort to someone reading my blog. And open a dialogue about mental illness, irony, stigmatization, inspiration and creativity.

I hesitate only because art does not support me. And how does one present oneself publicly when there is a smoke screen that everything is alright in cyberspace. Facebook is the epitome of creating a persona that is endlessly upbeat and proactive. In the photography Facebook world or network, it's important to keep up this spotless facade of daily success whether it be creatively, emotionally, or most of all financial. One must always be on top of things and informed and super Type A productive. This is by the way, not only my impression.

And yet, many of my photo friends are suffering from personal hardships. Over the last year, I know several artist friends who went on public assistance and food stamps. We don't hear those stories. These are hard working photographers including myself and yet, I still feel like there is this illusion that all is spotless and easy peasy for artists who even have a name in the business. What kind of message is this to show the aspiring young student or enthusiast who doesn't yet understand the sacrifices and endless work that goes into making a living as a photographer?

We as an audience don't see beyond the photo smiles at the gallery openings or the family events. No, one actually talks openly about the economic recession and how it has effected many of their own livelihoods. One friend and fellow blogger, Colin Pantall remarked on this discrepancy of public and private persona and how little photographers talk about the financial difficulties of working and living as a fine art photographer.

The last couple of years have also taken me on a financial and emotional roller coaster of instability. But, I hang on because I love what I do.

I asked Colin, "Should I write about my personal and financial difficulties and even my challenges with depression over a lifetime?"

My concern of a "tell-all diaristic blog" is cemented in the fact that perhaps it would put me at a disadvantage in the editorial, commercial or fine art world-- perhaps, my honesty would hurt my chances at getting the next job that would pay the bills. And so, that is my dilemma. Said and true. Sad and true.

One photographer friend told me that he came out and talked about his battle with anxiety in an interview for a blog. Sadly, he actually lost work because of the blog post and had it taken down. Should I fear the same stigmatization?

Colin's response to my question was something like-- and this is not a quote-- that if we can't be honest about ourselves or in our work "what is the point?". And I agree with that.

Are there any editors out there who would answer this question... or fellow photographers? I would love to hear your feedback.

In the meantime, Merry and Happy Christmas and Happy Hanukkah!!!

Tuesday, December 30, 2008

Happy New Years or Back in the Day?

Paddy, Back in the Day


Back in the Day! Don't you just hate that expression? Well, I do...it's bullshit. It seems like those who are saying, "BAck in the Day" are so young these days that they still lounge in SUV strollers. They are the same offspring whose parents deliberately knock me off the sidewalk with these four-wheeled monster trucks.

I actually just googled to see where the origins of this pathetic expression came from and I found it on a list of the most annoying expressions back in the spring of 2008 even though it was already abused back in 2006 and yes, even earlier.

"Back in the Day" conjures up that stand in the line, last minute book of the same name you can buy at the cashier at Urban Outfitters on 14th St. (the same store I typically cruise, look for decent lighting, fix my hair in the mirror and then walk out empty handed). 

The book of the same name and the same lame abused expression was the smart design of photographer Jamel Shabazz. and powerHouse Books who have continued to perpetuate the "good ol' times" in subsequent other gooey-ooey books. 

For the Hip Hop crowd and those of more or less the same generation, it brings a simple Hallmark smirk to the face. We think back on a kinder times when we danced below revolving and falling television sets at the Palladium and after hours, snorted coke at Save the Robots found on the bathroom floor.  As another coinage used in the age of Oprah Winfrey, "Been there, done it." 

The back in the day calculator is very useful. I calculated mine and it seems that from 1986 to 1990 was mine. Which I actually believe was only off by 3-5 years, as my "Back in Day" continued a little longer than I'd like to admit.

"Back in the Day" is the key that let's you into the so called cool group. It's being on the A list and gets you into Susanne Bartsch night at Club Savage, beyond the ropes and past the bridge and tunnel before you became bridge and tunnel and moved to Jersey. They lift you high in the air and Kenny Kenny  the ubiquitous doorman sees you flying high above the suits as your Holly Hobby doll skirt rises above your ass. You don't care because you'll know you'll be through the doors momentarily and handling a dealt hand of drink tickets. Every time you smile, the Manic Panic kabuki make-upon your face feels like cracked southwestern soil and the glittered extra long eyelashes you pasted on four hours ago are falling off, gashing into the soft flesh below your eyes. 

Later when you are old and frail and fragile as I feel right now..."They" have the nerve to make up this expression, so you can sit around with your other same aged counterparts and feel like you once had a chance to be at the top of the world; in other words, you are completely delusional about your position in society, in denial and suffer from low self-esteem. 

You lived in a minimal railroad apartment painted white and silver and couldn't manage bills without a meager handout once a month from your parents.  You fought with your soon to be homosexual boyfriend over tofu hot dogs and how to wash the dishes properly. And you collected change off the floor to buy your monthly supply of Tampax.

However, the imposed pretense of a lost time once better, not only makes you feel miserable but turns you to placate your unfulfilled desires by shopping. But, you can't because you made the poor decision to be an art major in school and now, things really seem lonesome and scary in the midst of an economic crisis. Oh, how sweet it was.

I want to buy up anti-ageing creams even while I have the simultaneous awareness that it won't do a damn' thing. I want to take a nap. I want to take a flight right away to Ft. Lauderdale and prepare a final residence in an old age home, so that one day I'll be in a group of like-minded same aged people who can talk about "Back in the Day".  I'll be sitting in a wheel chair in a circle of other elders in wheel chairs. 

A nurse's aide will put on "Jesse's Girl" and exclaim, "Remember this one ladies and gentlemen? From back in the day...."?! There will be no more than a condescension from a perfect stranger to look forward to in later years.

"Back in the Day" goes back to our ageist fear of living the here and now.  And of course Death too.

I want to know where this cruel phrase came from because I find it very depressing when I hear twenty-somethings talking amongst themselves about "Back in the Day". What could they be talking about... a memory of mothers applauding them for their first success while sitting on the poddy trainer cushion?  "Back in the Day" is another sign that kids don't have much of chance to play and be children...they are already talking like they have lived long and weary lives. I might feel the same way, if I feasted on "Gossip Girl" and believed it was normal to own your own business at 21.

What about today? 

Jamel Shabazz is still super smart and still is making nostalgic books that pull us into a backwards catatonia. Like many savvy business women and men he makes super bucks on our fears of growing old and are need to cling on to a past far gone,  flawlessly reenacted in the delusional follies of our fading grey matter.

I know I could find out who coined "Back in the Day" if I searched enough. Maybe I'm too lazy...but, I rather someone lead the way and tell me their own personal story about this manipulative expression.

In the name of "Back in the Day." I will now reflect on an East German singer who came into my life and became an early mentor. Nina Hagen. And Happy New Year and Years to come!

Video to come shortly! It's worth the wait. Yes, I know....Beasley needs to learn how to copy edit and make side gadgets and put in cool videos! I need your help. 

Some and most and even myself will say "Beasley, you are a hypocrite!"

Yes, it's true...this is a memoir blog and no less through photographs taken and seen. Every time we click the shutter another memory is bound to be embedded in coming years with a variety of interpretations. But, that doesn't mean that I think they shouldn't annihilate "Back in the Day" from the list of American expressions.

Friday, December 12, 2008

New York City Riviera




On a hot summer mid-afternoon, I walk down the boardwalk towards Beach 116. I'm wearing a new green bikini I bought at a local store out in Rockaway Park. Everything is on sale and I can't resist buying something there every time I get off the train from Manhattan. The bathing suit looks like something Jane Fonda might have worn in Barbarella. I have a Rollei Twin Lens Reflex (2.8 Zeiss) with a flash bracket strapped around my neck and about 10 lbs of camera equipment and 120 film in my backpack, braced to my waist. I feel more like a Marine than I will ever feel.

Nothing in sight to shoot, I bet my wages on 115th St. The stakes are high, I will surely find madness in-between the SRO's, boarding houses and empty lots lining the block.

A reddish-brown mastiff tied by a long rope is snoozing in the shade next to a beaten-up trailer, standing idle in a gravel lot. Several electrical cords connect the trailer to the SRO a few yards away. The windows are dusted over in layers of filth. "Honey" is printed on the side. Three beach lounge chairs sit empty in front. No, wheels; just perched on the ground like a bird who flew down to Florida for the winter and never returned home from the summer retreat.

"Hello, Hello," I holler. "Is anyone home?"

The dog wakes, charging me like a clumsy bull from a holding pen.
I quickly shuffle backwards on my heels, cradling the dear Rollei in my hands before the imminent fall on my ass. With a quick tug of the rope, the collar chokes him before he can reach me. We stare at one another in a mutually pathetic standoff.

"Yeah, who is it?" A man appears from the busted door of his trailer home. "Eh, don't worry about him," he says as he pets the dog. "He's a big baby. See? Come and pet him." I'm wary, but I do.

"Have a seat. Would you like some water?"

"Can I take a photo of you and your dog?" I asked. When I begin to photograph, he begins a litany of the misdoings of Bush, every so often, saying, "Geesh, they are real assholes around here. They'll believe anything they hear."

"See, I went to Vietnam...." And it continued like that while I stood back and photographed him. Between, pressing down on the shutter and changing film, I could hear every sentence qualified with a whining "geesh". He rolled his eyes back behind tinted eye glasses circa 1978.

This is the day I met Bob or as I like to call him Trailer Bob. We became natural friends right away.

It was the summer of 2008. I was on the NYC Riviera. I put down my camera more often than I would like to admit and lay on the sand with the "tourists". I fearlessly jumped over shallow waves in the Atlantic Ocean and sneaked shots from a shared bottle of Jameson that I had bought in a local liquor store. I had a flawless tan. I became 16 years old. I had traveled to a far-away beach resort.

I met "him" in the most unlikeliest of places. He wasn't a native. He was just passing through until he found another cheap residence that was closer to his job. He was olive skinned, his eyelashes long, his Brooklyn accent undeniable and delectable. He was young and beautiful, ravished and vicious. I had lost all reason. I fell into a euphoric daze. I told him I was his Potato Chip Girl.

By mid-September, I was sitting on a bench with Trailer Bob, the salty wind blowing through our hair. The beach was empty, the boardwalk still. The summer was over. I stood at the railing, looking towards the ocean and dialed his number.

Answering machine.

Answering machine again.

"I'm here", I said. "Ya' know, the Rockaways is just not the same without you."

I closed my cell and turned to Bob. "I really did care about him."

"Geesh!", he said.