"It's really hard for me right now."
"Yes, it's hard for everyone right now," she said. I nodded slowly like a sprouting kvetch.
"Dancer in Manager's Office at Runway 69", NYC, 1993. Juliana Beasley.
Notice money safe in background.
Last night,
Amy and I met a the
Singe Vert , one of my favorite French restaurants. I rarely eat there, with my tight wallet, I just can't spring for
pommes frites like I once could, but I always manage to lubricate or drown--depending on the mood--my taste buds with a dry white wine or two. That's less costly than a meal in than any place in NYC with nice
faux French
caffe posters and no more than 5-6 points on the Weight Watcher's
rector scale.
I can always depend on banter and a cackle with the stunning and down to earth,
Maia, a bartender with lovely Caribbean curls surrounding her delicate face. For that moment, that first sip, I am in heaven, and the lure of a drink seems healthier than daydreaming about future negative predictions of me rolled in a sleeping bag on the streets of NYC next winter. I hope, at least, I will take the Greyhound out to the Cali coast before I tank, jump on a plane to Honolulu and go couch surf at my friend, Debbie's apartment.
I am queasy. I've been stuffing my face with bread all day...my first excuse to go to the restaurant and gobble down two baskets of French bread. I arrive at Singe
Vert, sit on the bar stool near the open door, and take off my jacket.
"I can't drink," I say as if I am walking around with a gaping bleeding wound.
Maia offers a wonderful potion of seltzer, fresh ground ginger and the bitter stuff in the small bottle. With ice. I sip away and gorge myself away to the other place--Land of
Carb Denial. Anything to fill that wound. By the time, Amy (yes, the Miss Amy Stein) has arrived, I have started to rock back and forth on my stool to build up some heat in my body. I'm chilled. It's the first signs of spring and people are sitting outside and the door is wide open. I think it must be 57 degrees out there.
"Jessica and Her Boyfriend", Jersey Shore, 1995?, Juliana Beasley
"We gotta' get out of here. I'm freezing."
She suggests the perfect anecdote, sake in a Japanese restaurant nearby and happiness, it's empty. Empty enough for my nauseous stomach. And better yet, happy hour--sake at half price.
After a couple of petite ceramic bottles of sake and the gush of my latest drama, my stomach feels a lot more basic than caustic. I tell Amy, that just last night, I went to the bathroom half asleep, then fell asleep on the toilet and awoke bruised on the tile floor. I'm really proud of this...that I fell asleep on the toilet; despite the probable indecencies, most nights, I can't find a reason to sleep.
John, her super duper husband (no, it's just not fair and accept it) arrives, we have gone through so many little bottles that we forget how many. One thing is certain, we feel a little giddy--that's normal in each others company--but, not in the least bit stoned. Yep, for $2.50, no matter how many thimbles, we drink, we still sit straight up in cushioned hideaway lounge in the back corner. I, however, now have a headache, rumble through my bag of notebooks, prints and pharmaceuticals and grab for those fast acting liquid Motrin.
John is hungry. Outside, we say good-bye.
"I miss you guys", I say. They walk away and I walk towards the Path.
As I walk away, I remember, I didn't bother to tell her, I chipped an important and private tooth that day while eating a bagel with tofu vegetable spread. I had already sent out the alarms to Tia. She suggests the cheapest place in town to go to have it repaired. NO INSURANCE.
I'm home. I turn on my non digital t.v. with the bent rabbit ears, go into the bathroom and fill it with a think layer of hot water to soak the feet. I have learned how to give myself a pedicure at home. One evening, the kundalini teacher named Gurmukh Khalsa at Golden Bridge Yoga inspired the class to massage and give love to your feet at the end of the day. She and her husband do it together, so, I begin to think I should start doing it to myself. I doubt it's the same as incense burning and lovingly looking into a partners eyes and chanting "Sat Nam", but this is all I might get for a while.
Days past of trolloping off to the East Village nail salon for a
mani/
pedi. Dancer days done, of scooping hands into a sock drawer reaching for crumpled twenties and dollar bills. Dancer days done, of never having to visit the ATM. Done.
"Dancer Sitting on Customer's Lap", Runway 69, NYC, 1993, Juliana Beasley.
I sit up on the coach. A towel lays beneath my tender freshly soaked feet. I grab for that callous razor, I bought the other day at Duane Reade. I teased and flirted with the cute boy with acne who led me to the foot section.
Yes, I had arrived. I am in the old foot person's section. My
pedestrial future ahead of me. Callouses, corns, genetic features of bunions from mother, falling arches, in grown nails. The day will come when I will be a
Sleestack.
"If I can't put this razor together, I'm going to come back and you can teach me," I said.
He smiled, said he would be there to help and actually, I thought he looked as if I had brightened his boring evening of stocking adult diapers and tampons, side by side.
April 3rd, 2009. The latest news. Senseless maniacal murders in
Binghamton. How many of these murders happen a year in this country, I wonder.
I've done it again. I've applied too much pressure on the handle and the razor shaves off too much. In any case, I'm enjoying this, watching the slivers of flesh fall onto the towel in little perfect Parmesan shavings.
I wake up this morning, a dream fresh in my mind...I will go to
esthetician school. I need a job. And in hard times, everyone needs their feet to be groped and coddled.
**I took the above B&W photographs in a NYC club called "Runway 69" back in 1993. I knew one of the dancers from the Paradise Club on 33rd St., also in NYC. I was still shooting in black and white before I moved over to color. I actually photographed very little over the beginning years of making "
Lapdancer". I feel inspired to scan some of these negatives from the past.
I want to mention that I put these 5X7's up and 11X14's up for sale at
Melanie Flood Projects for meager prices. No one bought anything.
Alas, the other night at the wonderful opening of
Shen Wei's opening of the "Almost Naked" show (more to come on that....), dear Rubin Natal-San Miguel of the fab
Artmostfierce bought two of the 5X7's that I toted along with me that evening to
Randall Scott's Gallery, newly opened in Dumbo. And he has
preordered another.
"Three Dancers in Dressing Room at Runway 69", NYC, 1993, Juliana Beasley.
