Friday, August 10, 2012

Why Take Pictures?


 "Observation #1", MA, Summer 2012. Juliana Beasley


Sometimes I ask myself the question: "Why do I take pictures?" I feel I have a responsibility to myself to check in and be honest to myself about something that has taken up a large chunk of my life and head space.

Like most of us, it's easy to live the day to day, week to week or for some of us paycheck to paycheck without reflecting upon a greater purpose in our lives. Sometimes, we start out with one goal and never consider that the goal that once suited us at 25 years old no longer suits us at 45. And many us us get stuck, stagnate and forget why we even decided to choose one road over another. Sometimes, we end up sitting at a desk in some cubicle with stale air and forget that we even had dreams. I haven't occupied a real desk but figuratively, I know what it feels like to just sit, sit, sit and sit.

As I approach my 45th birthday, I am becoming more aware that my dreams and goals have changed. Or better said, I know what matters to me most in this lifetime.

I still want to take pictures after 25 years of studying, consuming and making photographs.  However, the reasons have changed.




 "Observation #2", MA, Summer 2012. Juliana Beasley




We can either adapt and change or we can chose to hold onto the past. Life gives you lessons in reality and if you listen well enough you can learn, adapt and make changes. I am in the process of trying to listen to my heart. And I find that often the heart and mind come into conflict. The mind will often generate words with great rational that will often drown out the simple and clear messages of the heart. This is why I began to mediate and take it very seriously.

These photographs were taken during this summer when I went to meditate on an ashram.

I took the following series of photographs during a walk with my girlfriend, Victoria in a wildlife sanctuary in Massachusetts. I remember feeling like an untainted and naive photo student as I observed and framed the pockets of algae, fallen branches, pine needles and other debris along the edge of the pond through the lens of my camera. I longed to make sense and order of nature's haphazard leftovers and tuck them in neatly and very pretty in a rectangular box.




 
"Observation #3", MA, Summer 2012. Juliana Beasley




Victoria and walked ahead of me. When I caught up to her, she turned around and said, "Beasley you are out of your element. I never pictured you as a nature photographer." And neither did I. After, all the intense moments shared with various subjects over the years, I never thought I would be so satisfied and satiated looking through a lens at green murky water. No drama. No chaos. No anxiety coursing through my veins before hitting the shutter. Just the simple air popping sounds of gas bubbles floating to the surface of the pond and bursting open.





 "Observation #4", MA, Summer 2012. Juliana Beasley



August 10, 2012

The Reasons I Still Take Photographs:

I get to hang out with people who interest me. 

I get the chance to meet people I normally might not have the chance to meet.

I get the chance to connect with a subject either (or sometimes all) creatively, emotionally, and spiritually.

I get the opportunity to make pictures that can somehow touch others when they look at it.

I can tell a story that needs to be told.

I can focus my attention on my surroundings.

I have a keepsake and a record of a moment gone.









Sunday, July 1, 2012

Purple Flower Skirt and Green Grass



 "Purple Flowers and Green Grass", Prospect Park, Brooklyn, NYC, 7/2012. Juliana Beasley


For the last couple of months, perhaps longer I have wanted to begin a series of self-portraits as part of a new project. But, how to photograph myself? I had so many questions... everything from the technical to how I wanted to represent myself as I am right now at this time in my life.

I had fleeting glimpses or sketches in my head of myself posed in various locations, in various costumes or even without clothing at all. I feel the need to expose myself as honestly and as intimately as I have tried to photograph my subjects. And to revel in all my flaws and imperfections... that which like the word vulnerability has become an intrinsic part of my vision.

I have yet to go out to the Rockaways and perhaps, shoot what I have said to my closest friends would be my last summer working on a very long term project...a project that has much significance to me.

Lately, my creativity is sharing a space in my mind. I have begun to concentrate more on my health.  One gives life to the other. Without my emotional, physical and spiritual health, I am not only worthless to myself but to my photography and even more importantly to others.

Just yesterday, I took a walk with Howard. I took him to our special place in Prospect Park... a quiet nook where few people gather even on busy summer weekends. We lingered in the shade on a sweltering summer day-- Howard to hot to be bothered to run after his ball. I poured some water into a travel dog bowl I carry in my bag for him. He lapped away as I wiped away the sweat dripping from my eyebrows with a worn bandana.

I was wearing my new skirt... one that is shaped so stylishly and in fashion this summer. A pattern of purple flowers dappled on white fabric covered my thighs. When I looked down to my knees, calves and toes extended in front of me, I noticed how lovely the colors of the skirt, my skin and the green grass played of of each other so naturally.  I felt very feminine. A rare and rich moment. I felt the quiet and solace of being alone with my dear friend, Howard whose lack of conversation felt like a simple hushed blessing.

And this is my first self-portrait. I picked up my phone and took the image and loved it right away. I posted it on Facebook. I hoped that my inspiration was finally rekindled.

Today, I went back today with my digital camera and restaged the image. As with all redramatizations, I'm not sure I got the same sprinkling of sunlight upon my calves or the fall of my skirt but for now, I am satisfied.

Wednesday, May 16, 2012

Summer is Getting Closer

"Babushka Tanning", Coney Island, NYC, 2002(?). Juliana Beasley.


And it will be time to hit the beaches. Yahoo! Time to slather on the coconut oil. Sure, I know the sun is bad for skin but I love the look of a tan anyway and I definitely need an extra shot of Vitamin D. This babushka inspires me.

Friday, April 13, 2012

Counter Service at the Newstand

I found this photo in my archives. This lunch counter no longer exists. You could could sit in the back of the newspaper store and have an egg sandwich and coffee and read the paper. Remember the good ol' days of Woolworth? Every time, I used to go with my dad, I'd beg him to buy me a hot dog and sit with me at the counter.... then maybe an ice cream.

I only wish I had taken more photographs in this place.



"Lunch Counter in the Rockaways", Rockaways, NYC, 2004. Juliana Beasley

Thursday, April 12, 2012

Coney Island Summer 2002 or 03... Photos Never Seen. Date Amended.

Something I found in my archives today.

"Woman Swimmer Under the Boardwalk at Coney Island", Brooklyn, NYC, 2002 or 3?. Juliana Beasley photo.

Tuesday, March 13, 2012

Stephanie and Her New Kitty Kat

 "Stephanie's New Kitten #1", Rockaways, NYC. March, 2012. Juliana Beasley.

Monday, January 16, 2012

Tara #2



"Tara, Charlie, and Princess", Rockaways, NYC, 2002. Juliana Beasley



             Over the last year, Bobby had left several messages on my voice mail, one an invitation to Memorial Day BBQ at Jacob Riis Park, another from both him and Tara inviting me to come out and visit. I was walking towards the Path Train, listening to my voice mails one day in March. I became concerned when I heard Bobby’s message.
             "Hey, Juliana. It's Bobby! Are you in the country or are you still in France? I have some bad news. Tara was in the hospital. She’s sick. Call me when you get a chance", he said softly.
             I sat down on a stoop on Mercer Street. I called him the right away. My throat felt tight.
             "Juliana, we thought you weren't in the country. I would have called sooner. I got some bad news. Tara had to go the hospital and they told her she has 3-6 months to live if she don’t stop drinking. They say it’s her liver. She ain’t listening to nobody. She don’t want to hear it. She's still drinking. I don't know what to do. It's pretty serious. You still out of the country?" he asked.           
“Can’t you talk to her about this?” I said. “Is there something I can do?”
            “I think you should just come out here. I don’t know how long she got”.
             I heard a shrill of laughter in the back round.
             “Hey, Bobby. Who you talking to?” I heard Tara’s voice in the back round.
"Look, Juliana,” Bobby said. “Tara just walked in the door. She don’t want to talk about any of this stuff. So, don't bring it up.”
“Hey Tara. It’s Juliana. Do you want to talk to her? Here take the phone.” He sounded exhausted. Tara depleted almost everyone of patience despite her childish charm.
             "Hey, Juliana you still in France? When are you coming back? Where are you anyway? When you coming out here?" she asked like a toddler shooting questions rapid fire, one after the other, without necessarily any interest in the answers.
             Tara sounded giddy, excited and emotionally unavailable. I could imagine her holding her mainstay, a plastic big gulp cup, endlessly filled with beer, and eternally attached to her right hand.
             “I’m coming out soon. I’m busy with work. I’ll try to make it out there in a couple of weeks”, I said. I had every intention of going out there but never did.
Bobby had given me fair warning. Tara had a death sentence. She was 41, she would be 42 this year and she was dying of cirrhosis of the liver. That was the last time I heard her voice.
**********


For the last seven years, traveled out to the Rockaways.  I brought my camera to photograph many of people whom had shared themselves and their lives in front of the lens.  Only twenty miles from midtown Manhattan or a one hour trip on the subway, whenever, I get off the train at the last stop, I felt like I have I had taken a trip to another country, maybe even another planet. With the passage of time, many city neighborhoods, now gentrified, were left indistinguishable to others, but not Rockaway Park. Many of the buildings and the people I portrayed in my project felt like abandoned relics of another past decade. Many of the locals seemed hermetically sealed in a bubble, cut off from the rest of NYC. During my time spent out there, I witnessed the real devastation of poverty, mental illness and addiction upon the lives of my friends and acquaintances. They were occupied with the survival of day-to-day life. Colleen’s daughter gets pregnant again, Bryan dies way to young, and Phil was beaten near death in an act of gang violence. For many of them, anything beyond the scope of the 10-block radius was foreign territory. They read their own newspaper called “The Wave”. They are loyal to their peninsula and the various neighborhoods that make up the Rockaway’s. Liberal-minded Manhattanites represent a threat to their secular way of life and for the most part, are not welcome unless it is tourist season and they have money to spend.
 I remember one summer, early morning; I walked onto the veranda of my friend Charlie’s SRO. The cool air from the ocean wrapped around my body and activated my senses. I was surprised at how well rested and limber my body felt. I had slept on the floor in Charlie’s room the night before. He woke me several times during the night, “Juliana. Hey, stop snoring.”
Two older men, sitting on beat up office chairs on the porch wished me a good morning. I had gotten to know them through past visits. As much as they seemed fond and accepting of my untimely visits, the strange old camera that I carried around my neck, and my endless probing questions about the neighborhood, they liked to make jokes on my account. I didn’t fit in. They smelled it and knew it.
            “Where are you going?” they asked as I was walking down the stairs of the SRO.
            “I’m going to get some coffee,” I responded.
            “You won’t find a Starbucks out here, “ they laughed and snorted.
            “Hey, I know that,” I responded defiantly, “I’m on my way to Dunkin Donuts,”
But, I knew that they were right; if there were a Starbucks in the neighborhood, I would have dropped my loyalty to D&D and in line with my city-slicker ways, would have picked up a two-dollar “doppio on ice”.
Over the years of photographing out in the Rockaway’s, I had occasionally mentioned when I would leave the country for a photo festival or a show. When I returned to the neighborhood after a long hiatus they always asked me if I had been out of the country. Beyond the blinds of their provincial and forgotten neighborhood, I often believed they imagined I lived a jet-set life, flying from one continent to another when really, I was just one state away in Jersey. Often, I was just at home with Moishe and Howard. Maybe they thought I didn’t exist at all outside of the Rockaways. I was certainly out of sight, and felt very much out of their minds when I was anywhere else.
            Last winter, my life wasn’t the perfect fictitious story of an artist globe-trotting from one show to the next. Unlike, my friends and acquaintances out in the Rockaway’s might have imagined (or at least what I imagined they imagined), my life was hardly glamorous.  My life was not carefree. I wasn’t flying around the world.  My life was on standby. I felt more like a mouse stuck in the gelatinous glue of a sticky trap. Everything appeared lackluster. All the familiar signs were there. I was no longer in remission. I was in the middle of major depressive episode.
My antidepressant, Nardil, the fluorescent orange pills that I had been taking for the last seven years, once worked, now no longer worked.  I called my psychiatrist for an appointment. I needed to be tweaked.
I went to his office in midtown Manhattan. I took the R and got off at 60th and 5th Avenue. I walked briskly with purpose, blinders on and eyes focused straight ahead. The irony of walking past Barney’s and the DKNY store on either side provided the wicked reminder of a time when I still had shopping privileges beyond the rare underwear or bra purchase at Kohl’s or Marshalls, of a time rid of financial worries, and of a time when I still believed that I could make a living as a working artist.
“I don’t think the Nardil is working anymore.” I said to Dr. Long.  “It hasn’t been working for a long time. Anyway, didn’t we want to try to put me on Ritalin? Anyway, I remember you scored off the charts on that ADD diagnostic exam I gave you before you left the last time.”
No, surprise to me that I passed for positive since most of the books on my shelves remained half read.
“Plus, “ he added, “I think it might jump start you out of your depression”.
I was ready to take any measures not only to concentrate but to get out of bed even if it meant getting hooked on speed, at least for the time being.
Nardil presented all kinds of problems when mixed with a long list of foods and many other drugs—namely sudden death. Nardil is one of the oldest anti-depressants on the market. I have never met anyone else on the medication. The only other person I ever heard of that had been prescribed Nardil is Marilyn Monroe. This makes me feel a little more glamorous, despite the fact that she died of a fatal overdose.
I sat across from him, a large wooden desk between us.  He shuffled through his notes, refreshing his memory of past trials, questioning me ever so often of my previous success or troubles with various medications. I looked at the creepy rubber band dispenser, an arm’s distance away. The transparent Lucite human head was missing the top of his skull. A clean lateral slice had left it topless, exposing a purposeful cavity: the perfect compliment to any psychiatrist’s flotsam of office supplies complimentary of pharmaceutical reps. I reached over, dipped my hand into the top of the head, pulled out a rubber band, wrapping it around my fingers while we talked.
Juliana”, Dr. Long said. “We can give it a try but you remember you have to go through a 3 week wash out period once you taper off the Nardil before I put you on a SSRI. It won’t be pleasant”.            
I left elated his office elated with the prospect of new meds that possibility could lift me out of my depression.  Yes, I want speed.