Portrait of Ruth

I met Ruth on an early morning, when my college ex boyfriend, The Reverend Stephen Hermann was giving a sermon at the spiritualist church at Camp Etna in Maine. Before the service, I went around to the congregation and asked the members if I could take their photograph and gave them each one of my business cards. Several days later, I received an unexpected lovely email from Ruth... how could I forget her striking Siberian Husky eyes? We made a connection and I asked her if I could photograph her and we made a 7am photo shoot date that week before she would go off to work. I took the following portrait of her inside the church. Oh, yes, there is more to this story with many more specifics and details. The time will come.

"Portrait of Ruth", Etna, Maine, Summer 2013. ©Juliana Beasley

Last Year Around Thanksgiving in the Rockaways

I took this image last year after Hurricane Sandy had hit the Rockaway's peninsula. The two young girls were walking under the S train tracks pushing two granny carts filled with provisions they had accumulated from various relief organizations. They were on their way to look and see what might be available for the taking on that day.

"Collecting Good", Rockaways, NYC, 2012. ©Juliana Beasley

Yvette Several Weeks After Hurricane Sandy

I met Yvette in her one room bungalow several weeks after Hurricane Sandy hit the Rockaways. She invited me into her sparce dwelling. She sat on a chair with a small table with an urn upon it beside her. Her boyfriend had just taken her frightening pitbull for a walk so, we could have a moment to talk and I began to photograph her. As she began to tell the story of how she, her boyfriend and dog managed to survive the high flood tides of Hurricane Sandy, she began to cry and so did my intern, Maddy. She was completely traumatized weeks after the event.

They had lived through the storm.

When the flood waters became dangerously high, she and her boyfriend climbed with their pit bull to the safety of a loft space in their small room, bringing along her mother’s ashes in an urn. Most of her possessions were washed away and when I spoke to her she continued to live in the bungalow contaminated by moldy walls.

I wonder if her bungalow is still standing as there was word about that the landlord was intent on selling the property and bulldozing the properties down. I hope to return this month.

I'm sending my blessings out today to Yvette and all of those this week who survived Hurricane Sandy last year.

"Yvette Crying", Rockaways, NYC, 2012. ©Juliana Beasley

Bob and His Cat After Hurricane Sandy

A couple of weeks after Hurricane Sandy hit the NYC metro area, I went out to the Rockaway Park to look for some of the friends I still knew out there. I walked down 115th St., preparing myself for the worst. I was thinking of my friend, Bob, who I had known for about 4 years and who lived in a camper in the parking lot next to one of the several SRO's on that block. I was amazed in 2011 when he and his camper had survived pretty much unscathed after Hurricane Irene, but I could only imagine the worst after Hurricane Sandy had hit the peninsula.

How could a fragile old camper filled stuffed with personal collections of Bob's eclectic ephemera possibly survive the floods and torrential tides of Hurricane Sandy. I imagined him and his large brown mastiff dog, Zeus floating down the Boulevard, holding on for dear life and onto the cramped camper, he had called home for so many years. As I passed one boarding house after the next, I feared that I would find simply an empty lot with remnants of his personal belongings interwoven between the chain link fence that surrounded the piece of land where he had settled his portable home.

And there he was!!

He was standing in the sunshine and wrapped up well, his glasses broken and taped together and propped up on his nose.

"Bob and His Cat After Hurricane Sandy", Rockaways, NYC, 2013. ©Juliana Beasley

 "Bob!", I yelled. "I didn't think I would find you. I was worried about you. I've been trying to call your number. But, there's been no service. I really didn't think I would find you here."

"Eh! This was nothing!," he said, as he threw up his arm and waved his hand in the air as if he was about to swat away a pesty fly. "Now, Vietnam.. that was bad. Next to Vietnam this was nothing!! Of course, I'm OK!!"

Janet After Hurricane Sandy

I took this photograph of Janet in Ma's boarding house apartment on 115th St. I have known and been visiting "Ma" as she is known by most of her friends and neighbors but her real name is Patty. Janet and her husband lived in a basement apartment across the street on 115th St. During Hurricane Sandy there apartment was completely flooded and everything they owned was completely destroyed. In the aftermath, they were left completely empty handed and moved into a "temporary" apartment in the same SRO building where they lived before the storm.

Janet is wearing a coat and in fact, all the clothes that her and her husband, Matthew wore during the weeks after the storm had been donated to them through various relief organizations.

"Janet in Bear Coat in Ma's Kitchen After Hurricane Sandy", Rockaways, NYC. 10/12. ©Juliana Beasley

The Anniversary of Hurricane Sandy and My Work in the News

I am simply going to copy and paste what my agent Jeffrey Smith at Contact Press Images wrote yesterday when he posted the good news on Facebook that my long term photo book project was given some media attention on both Slate and Creative Time Reports. He says it so well and is such an articulate writer that I felt that it would be best to just leave this announcement in his own words.

I am terribly grateful that after years of hard work on this project that I am surrounded with such wonderful, thoughtful and caring and super intuitive and bright photo friends and a great photo agency to boot. I also must thank the wonderful Zoe Strauss who referred Marisa Mazria Katz--the editor at Creative Time Report--to me last year when the hurricane hit the peninsula.

I plan to post an image a day on my blog from the Rockaways that I shot either before or after Hurricane Sandy hit the peninsula and forever changed the hearts and lives of those who lived out there.

Here is an excerpt from my piece on Creative Time Reports:

"Hurricane Sandy marked the abrupt and unplanned end of my 10-year project photographing the once-forgotten neighborhood of Rockaway Park, known to the locals as Rockaway Beach. I first came out to the boardwalk at Beach 116th Street in the summer of 2002. I stood outside the Sand Bar and was instantly mesmerized when I witnessed a bartender jump over a bar with a baseball bat in his hands, chasing a disruptive and unruly customer off the premises. As I looked around the bar at the patrons—a mix of disheveled, raucous regulars and sunburnt beachgoers guzzling down cheap beer from plastic cups—I immediately became enamored with a scene that appeared to be a hundred miles away from the gentrified and homogenized streets of Manhattan. The neighborhood felt untouched by time. There wasn’t one Starbucks to be found on the entire peninsula. I decided to return the next week with my camera."


And here is a photo that I previously published, but recently found in my collection. This was taken in 2008 in front of Gloria Manor adult home where two of the residents, a married couple who share the same room had just bought some soft serve ice cream from the Mr. Softee truck that arrived like clock work in the afternoon, parked outside and served ice cream to the residents.

"Ester and David at the Mr. Softee Truck", Summer 2008, Rockaways, NYC. ©Juliana Beasley

Lovely Celeste

Last week I posted a photograph of Bethany with two of her three children in front of their house in Etna, Maine. Today I am posting a portrait that I took of her daughter, Celeste standing in front of one of the houses at Camp Etna. The sunlight that was filtered through the leaves and a touch of fill flash made for a surreal quality to the image. Celeste was a great model and allowed me to take the time to get the right lighting and expression. Of course, Celeste loves to smile and I did have the opportunity to capture some of her smiling but I believe this is the most provocative of the images I took of her that day. I completely miss the calm and peace and the wonderful and enchanting people I met while I was photographing up in Maine with my assistant/intern Madeleine Budd. Back in the city to cramped living quarters and hustle of trying to make a living as a photographer.

"Celeste Portrait #1", Etna, Maine, Summer 2013. ©Juliana Beasley

This was the first time when I depended completely on my digital camera. I have scoffed my DSLR for years and now, with no money to pay the costs of film development (despite having a refrigerator full of 120 film and Polaroid too!!) and scanning negatives on a higher end scanner, I had to give into the technology and warm up to the world of digital. I am somewhat of an anachronism at this point.. I still believe that film is where it really is at but under my circumstances I had to the use the tools that were the most economic. I wouldn't say I would choose my Rollei over my DSLR if someone handed me a wad of money to work solely on my artwork but I discovered that I am capable of working with this medium which still feels so elusive and intangible. I don't trust it and I think it comes down to the fact that I can't cut the developed negative strips and put them away in a case and store them on my shelf. Yes, I do not trust it.

I also find that I am not as focused when I shoot digital. Given the fact, that when I shoot with my Rollei, I only have 12 frames to shoot very wisely and with great concentration before I have to unhinge my flash bracket, roll the shot film and reload it again with another roll of 120 and then close the back and reattach the flash bracket. I am a different photographer perhaps when I shoot digital because I can take many many more images and so much is just disposable. Maybe this gives me the room to experiment and screw up more which is always a wonderful way to learn how to take stronger images.. sometimes, those mistakes are great teachers and they sometimes are the keepers.

I can't set back the clock to before the digital photo revolution. I often wish I could.. there would be less amateur photographers who believe they are photographers and less would still be more. I am still incapable of the inevitable: analog really is dying and I want to get up on a soap box and educate the average consumer and tell them that analog is still superior in my mind. I'm a slow learner and I catch onto trends often very late and sometimes this has worked to my advantage.