Victoria and Howie

These two have been inseparable since day one. They are two of a kind. They play ball together, they swim together... they might as well be connected at the waist. I never met two others that were meant to be together more than Victoria and Howie.

Victoria and Howie on Aubergine, Jersey City, NJ, 2007?, Juliana Beasley

This photo was taken shortly after I found Howie abandoned and tied up under a bench in our neighborhood park. He was still just a pupster

Victoria On Aubergine

Victoria on Aubergine, Jersey City, NJ, 2007?. Juliana Beasley

Photo of the week. Must take more photos of Victoria.

Gabriella Gomez-Mont Must Carry The Torch for Mexico in 2012!

Gabriella Gomez-Mont 

Hi All!


I have just received some incredible news and felt the importance of sharing it with you. My friend Gabriella Gomez-Mont, a cultural inspiration and leader has been nominated to carry the torch for Mexico in London in 2012 Olympic Games!

I think this is wonderful. We need more people involved in the arts and who support the arts to be visible in the mainstream. We need to get our cause out there. Something simple here about Gabriella. I have a larger bio at bottom of post.

Gabriella Gomez-Mont is a cultural promoter, writer, filmmaker and TED Senior Fellow. She is simply someone  who cares about the arts and has provided guidance and support to other artists including myself for many years. She gives opportunities to artists that otherwise could not afford to participate in art projects. This is just the basics for now.

I am asking you to vote for for Gabriella. And ASAP! Below, you can read why we need to vote for her as artists and art lovers. But, first let's not waste our time. We only have till 11pm EST to get our vote out there.

It is incredibly simple. You just click on the link.


http://samsungolimpico.com.mx/

Voting requires no registration, it is only two easy steps (less than30 seconds) and it seems one can vote 

from other countries as well.

In fact, you can even vote several times if you do so from a different IP or both your phone and a laptop 

for example. 

Pass the word around! Thanks!!!

Now, about Gabriella Gomez-Mont!

Gabriella Gomez-Mont is a cultural promoter, writer, filmmaker and TED Senior Fellow. She has received various recognitions and awards for her work in various fields, as well as helping promote creative excellence in Mexico. In the year 2000 she received a year-long grant at Fabrica, the creative laboratory and art center based in Italy. In the year 2001 she worked in the editorial department of the Aperture Photography Foundation, in New York. In 2002 Gabriella returned to Mexico after receiving the Jóvenes Creadores grant that the Mexican government gives to young artists, and then, in 2003, one of six grants given by Teratoma (a group composed of many renowned artist, art historians, critics, anthropologists, etc., based in Mexico) for an intensive and exclusive year-long course dealing with curating contemporary art and critical theory imparted by important figures of the national and international cultural arena. As a visual artist Gabriella has been part of exhibitions in Europe, Japan, the USA and Mexico; and her work has been published in various magazines and books such as “From Chaos To Order and Back” by Electa. She has also done creative work for companies such as MTV International, Nike, Benetton and the WWF. As a writer, she has collaborated with national and international publications such as Colors (Italy), Step Inside Design (New York), Contemporary (UK), Eye (UK), Acido Surtido (Argentina), -ism (Holand), Luna Cornea (Mexico), Fahrenheit (Mexico), Travesias (Mexico), Código Postal (Mexico), etc. She is also part of the editorial board of Replicante and Fahrenheit magazine, and Gabriella was also associate editor of the Colors Issue on Mexican Telenovelas (Soap Operas) and guest editor for a world-wide Vice Magazine special issue on Mexico City. She has also worked as a producer for editorial projects for The New York Times, Culture & Travel, Vogue Homme, Colors Magazine and visiting international artists. In the year 2004 she founded Tóxico: Cultura Contemporanea and Cine Abierto (dedicated to promoting independent cinema). In that same year Gabriella co-founded Laboratorio Curatorial 060, an experimental collective made up of artists, philosophers, art historians and architects that are interested in questioning the ideas that define and contain contemporary cultural practices. LC 060 has created projects for many of Mexico´s most important cultural institutions such as the Carrillo Gil Contemporary Art Museum, Art & Idea, CANAIA, etc. LC 060´s latest (and running) project has earned both national and international grants for it´s production (such as the Prince Claus Fund from Holland, and FONCA from Mexico ) and was recently awarded first place in the BEST ART PRACTICE AWARD, a coveted international prize given by the Italian government for the best experimental curatorial project of the last 5 years. In May 2009 she was selected as one of 25 international TED Fellows 2009, and is now also a TED Senior Fellow 2010-2013. And she is now filming her first feature-length documentary with the support of the FOPROCINE national cinema grant.

Writing, Writing, Not Writing. Just Start.

The Operating Theater

No good can come of this. Photograph, Lauren Simonutti.

OK, I did say full disclosure in the form of self-portraits and writing. I said that in my last post. And I am not delivering this week or at least not yet. Instead of looking inwards. I am looking outside of myself and not necessarily with any objectivity.

Self-portraits... Now, that feels a lot more challenging and daunting than taking photographs of someone sitting in front of me. Just me alone with my camera. Vulnerable performer or liar fool.

Who will I be? Solitude, reflection, no distractions. Just me talking to my camera. My soliloquy, my silence, my boredom, my melancholy and mania. An inescapable meditation.

How do those self-portrait photographers do it? If you are not presenting yourself as someone other than yourself, how do you be yourself with yourself and present yourself as yourself? Do I seem shallow here? Or maybe just in some mild form of a demented state about who I am and what this person "Juliana" does alone?

I have surely done my time alone. Probably far more than most people I know. But, somehow when I do not share the stage with the other actors, I am a little bewildered. I am lost without someone holding up that mirror that reflects and shines an interdependent relationship of shared personalities.

Sure, I know what I do when I am alone. Probably too much staring at the walls. But, my concern in the process and the product is that it will only be a caricature of myself. I can only imagine myself positioning my body and contorting my face in front of the camera while counting down the seconds before the self-timer sets off the shutter.

This gives me a whole new respect for photographers whom have sat alone with the camera. I'm thinking in particular of the photographer Lauren Simonutti's body of work. I learned about her recently when I found out about her precious edition of hand made books called "No Such Thing As Silence". I would love to write more about her but if you really want to read a great blog interview with her and get the inside story, you must go to Colin Pantall's Blog (which by the way is eclectic, well-written and just one of my favorite blogs.) A good read and yes, inspiring.

I will say one thing: this book comes with feathers and bells attached.

Right now, for me, the starting is the hardest part.

So, return to the external. Last week, I entered new territory. I photographed all weekend and did not take my Rollei TLR with me. No, film. No, big bracket with big flash. No, 30 rolls of 120 film. I put my Canon 5D and flash in a bag filled with batteries and memory cards. So, light and carefree. So, modern!

Yes, I actually spent the weekend as an analog traitor. I shot digital and I loved it. I felt naughty and cheap and very very bad. I felt like a junkie and an explorer on a new adventure... so many gigs of storage, so many clicks of the shutter... and never ever never enough images.

I woke up on Saturday around 11am.  Before sitting up in bed, I had rationalized all the reasons of why I should not gather my lightweight equipment and take a two hour commute by subway out to the Rockaways. The best reason I could come up with-- but it would suffice-- was that it was already too late in the day.

By 3:30pm, I waiting in the local Target for my 4X6" print order to be ready for pick up. I wanted to arrive with photographs to give to my friends. When I got on the Path train in Jersey City headed to WTC where I transfer to the A train out to Queens, it was close to 4pm. I had missed most of the good light.

Diana and Mikey were throwing a birthday party for one of their tenant's little boy who lived in their bungalows. I knew the mother Gabby since before she even became pregnant with little Angelo. I remember the first time I met her four or five years ago. She was sitting on a beat up bed, texting and far away on her cell phone while her friends laughed and partied in a small room in a boarding house near the beach. She looked like a 14 year old kid even though she probably was 18. Her face was angelic.

I looked for Gabby for years. I wanted to photograph her again. I had heard from someone in the neighborhood that she had gotten pregnant and had a baby boy.

"Angelo and Gabby", Rockaways, NYC, 9/11. Juliana Beasley

I didn't find her until recently when I learned she rented and lived with her son in one of the bungalows. No matter who I asked or where I looked I could not find her. I should have known that the past often  catches up to the present.  Chance meetings and reunions happen in their own time... the Rockaways does not work on a schedule and the time table that most people apply to their lives does not exist here. Therefore, when you work in chaos, you have to adopt the rules of chaos... there just aren't any rules.

I found Gabby and Angelo, one day by chance when I was invited to one of my friend's daughter's birthday party in July. There she was just sitting on the porch outside of the bungalow, baby blue paint chipping off the facade. She was smoking a cigarette. She still looked like a kid. Time compressed and I felt like I had never lost her.

I finally arrived in the Rockaways, however, late I was. And it's never ever a disappointment however late or early I show up. Sure there are unpleasant days out there but I always meet someone new or learn something that had alluded me for years. I always feel enlightened on my 2 hour trip back to Jersey contemplating a day out in the Rockaways while I sit on the subway eating a bag of Cheetos under a florescent lights.

Oh, Nicole's Cha Cha shoes. Yes, you can find her out there in the neighborhood where she lives in a bungalow with her husband. They are newly weds. Close to 9pm, she was putting herself together for a night out working as a female impersonator in a club somewhere in Manhattan. We walked out the door together. She pulled up her hot pink spandex top and exposed a little cleavage.

"Be careful on the subway platform, " I said as we parted.

"Don't worry, honey. Don't let anyone fuck with me because I will fuck you up."

"Nicole's Cha Cha Heels",  Rockaways, NYC, 9/11. Juliana Beasley

The party was winding down when I arrived. I took some portraits. The sun went down and the partygoers began to disperse. I walked a couple blocks over to my new favorite pub in the neighborhood and befriended the bartender, Sharon. I finally met my Rockaway's kindred spirit. Years of traveling out to the peninsula and finally, I met someone who really got me. And I got her. We knew all the same people. She is boisterous, tough, and a great storyteller. She can "man" her bar and kindly discipline the most difficult of irate drunk customers into submission. I look forward to our next meeting.

You gotta' "ring them bells".

Going Back to Mexico In My Mind or Full Disclosure

"Joshua's Sister", Mexico, 2006. Juliana Beasley

Yesterday, I had the wonderful pleasure of having Mexican photographer, Eunice Adorno come out to my hometown, Jersey City for a visit. The last time I saw Eunice was in Mexico City in the summer of 2010, when she was my student in a workshop that Tema Stauffer and I taught in collaboration with Toxico Cultura. 

I am very elated and proud of Eunice! She has a book called Fraum Blaum about women Mennonites living in northern Mexico coming out shortly. In Spanish the book is called "Las Mujeres Flores" or in English "The Flower Women :  the editor is Pablo Ortiz Monasterio and Fernando Gutierrez and is published with Fabrica. The images are very intimate and the color palette very soothing.

Cover of "Las Mujeres Flores" by Eunice Adorno.

Now, Eunice and her dog, Cleto are living temporarily in New York and she is partaking in a residency at the International Studio and Curatorial Program. And to top it off she is off to Holland in October, to take part in the prestigious Joop Swart Masterclass.  Wowsie! What an amazing year for such a talented and young photographer.

I am looking forward to her next visit and next time with Cleto who can keep my little Howard (Howard definitely needs a FB page) company, now that he is an only child.

Check in:

I wish I could put a torch to most of my life right now. In fact, as an experiment and because I feel that I feel compelled to document the state of my life visually... I will take some photographs to post next time. Because I hope that soon my situation will change. And I hope that the state of it right now will soon be a memory only visible in photographs.

I also believe that since things feel completely impossible right now (or simply feel that way)  that I want to expose myself.

Why?

No, this isn't a shaming masochistic technique to haul ass and clean up and stop avoiding... but a full disclosure or a substantial disclosure of me right now as I am.

AGAIN WHY?

I wouldn't ask less from any of my subjects so, why should I pretend to be anything more that I am. Yes, the shit has hit the fan and it's time to accept it as it is right now because as said, it will change. Slowly, but it will change.

Will this help my career as a photographer? Could it damage it? These are some of the questions that have come up over the last year when speaking to close friends. Only time can tell. I'll go with my instincts.

It's time for self-portraits. Anyone, with skills in this realm... please, contact me through Facebook. I have some questions on how to set it up, etc. I have questions.

In the meantime, I still have the fantasy of my vacation in Mexico with Victoria over 5 years ago. And so, here are some more photographs to keep me out of harm's way or rather just away from the present. Here are more images about Joshua and his family in the south of Mexico

Thank the Universe that I will be photographing this weekend. And in the spirit of all the young photographers out there and even my contemporaries, I will be shooting with my Canon dSLR and not with my Rollei TLR... how avant garde... right?

"Joshua's Brother and Sister Upside Down", Mexico, 2006. Juliana Beasley

"Joshua's Other Brother in Bed", Mexico, 2006. Juliana Beasley

Mexico Series on Hold

"Victoria at Parent's Sink", Redding, CT, 9/11. Juliana Beasley.

 I want to thank all the wonderful people in my life who got me through the last couple of weeks; in particular, the last week. Without your support, things would have been much rougher. As most of my family, close friends, Van Vorst dog run comrades, acquainances, and Facebook friends know, my dear Moishe died this past week. I also managed to somehow apply for a grant at the same time; again, without the help of friends like Benj (my dear cousin who has just came into my life and miraculously, at the right time), Drew, Victoria, Jeffrey, Jacques, Amy and John this would have been impossible. I realized how fortunate I am to have such wonderful, caring, interesting, smart and unique people in have in my life.

Now, life goes on. I am spending the weekend out in Connecticut with Victoria at her parents home. It's nice and slow here. I get the chance to step back from my life in Jersey City. It's nice to see Victoria's family. It's hard not see Moishe taking in the country air and sniffing around the ivy and shrubs but I am blessed to have little Howie here who adorns me with an excess of affection and kisses upon the moment I wake.

I took these photos last night of Victoria and the kitchen at her parents place with my new camera apps. I feel the need to be creative even if it means picking up my Android phone and taking crappy low res photos. It's one way that I can move out of myself and connect with the outside world and incorporate it into something visual, something that I can share with others.

I couldn't decide whether I like the tighter shot of the kitchen counter or the wider so, I have posted both.

"Kitchen Counter in Redding 1", Redding, CT, 9/11. Juliana Beasley.

"Victoria in Kitchen #1", Redding, CT, 9/11. Juliana Beasley.

"Kitchen Counter in Redding 2", Redding, CT, 9/11. Juliana Beasley.

Mexico Part 3

"Victoria After Shower", Mexico, 2006. Juliana Beasley.

"Victoria in Shower", Mexico, 2006. Juliana Beasley.

"Victoria Balancing Beer Can on Her Head", Mexico, 2006. Juliana Beasley.

"Victoria and Beer", Mexico, 2006. Juliana Beasley.

I want to escape. Not forever. Just now. These photos are sweet reminders of past getaways.

I Miss You Mexico Part Two

More of Mexico photos from 2006. It's amazing how time passing can change your mind about how you perceive photographs. These following photographs I took randomly during my vacation with Victoria along the Yucatan Riviera. I will return to posting photographs of the small reportage I did on Joshua and his family. For now these.

I really miss traveling and the excitement of all senses... picking up my camera and recording it and editing with my mind's eye when I snap the shutter.

I miss Mexico. I think I can write that again and again.

 "She Caught My Eye", Yucatan Coast, Mexico, 2006. Juliana Beasley

 "The Cake", Yucatan Coast, Mexico, 2006. Juliana Beasley

"She Showed Me Her Bedroom", Yucatan Coast, Mexico, 2006. Juliana Beasley

Back to Mexico. I Miss You!

I was looking for a photograph that I took of Victoria from our trip to Mexico about 5 years ago. I love those pictures and she is so wonderful in front of the camera. And then I came upon these.

 "Joshua on His Couch", Yucatan Coast, Mexico, 2006. Juliana Beasley

I had brought my first dSR with me-- a Canon 3D. I had only shot with it maybe once before and I thought the trip down to the Yucatan Coast would be a great opportunity to pull it out of my Domke bag. After all, I knew I would have some time alone while Victoria went scuba diving. And it has just become impossible to go on any trip without wanting to stop the car and get out and take a photograph. My brain spins into creative mayhem once I get outside the urban jungle.

I was riding a bicycle along the dirt roads of a small fishing village not far from the Belize border. I passed a soccer field and saw a group of young teenagers training and suddenly, a fair skin kid with reddish hair caught my eye. He was completely out of place, as much as I was. He was lanky and taller than the rest of the Mexican kids and his skin was burnt. At first, I thought he might be a girl. I was intrigued.

I approached him and began to speak to him in the Spanish I had concocted from years of Italian lessons and French conversations. He responded in English.

"My name is Joshua," he told me.

I sat down next to him on the sidelines and he eagerly asked me many questions about the United States and specifically, New York City.

When I was getting ready to leave, he invited me to his house to meet his family the next day.

Here are some of the pictures I took. I had previously posted one of the images. More to come. I miss Mexico.

 "Portrait of Joshua's Mother as a Young Woman", Yucatan Coast, Mexico, 2006. Juliana Beasley

Off to the Party

I met the woman in pink and her friend on the day of her wedding. A couple of weeks later, I was back in the Rockaway's and this time,  with my cousin, Benj who was visiting me from Toronto. They told me they were off to a party.

It's funny I have so much to say and yet, I feel like I don't know where to begin. Oh, yes, I know where to start. I will say this... it's good to have family and friends. Especially, when you need them.
,
To Moishe:

Every day that is left and that we spend together, I have promised you something that will make you understand how much I love you.

"Off to The Party", Rockaways, NYC, Sumer 2011. Juliana Beasley

End of Season #2

 "Tristan #1", Rockaways, Queens, NYC, Summer 2012. Juliana Beasley

"Little Girl with Doll in Stroller", Rockaways, Queens, NYC. Summer, 2011. Juliana Beasley

End of the Season

"Skateboarders Under Elevated Subway Track", Rockaways, Queens, NYC, 8/11. Juliana Beasley

I photographed these two young skateboarders under the elevated tracks in the Rockaways one late afternoon. They weren't from the neighborhood and lived--I believe-- out in the Far Rockaways.

I owe them a photo. So, Chris and friend... just to let you know, I will be back out there in about a week and I will leave a photograph with your friend, Jose. Thanks for taking the time to pose for me. And I hope you did get flooded out and you are safe.

Juliana

Vite! Toute suite! A Quick Taste of Summer.

"Young Hotel Maids", Quebec, Canada. Summer 2011. Juliana Beasley.

Here are a couple of photos I took recently this summer. No, words... just photos. Each one deserves an explanation. For now, they stand alone without words and hopefully tell a story.

A couple of words.

I went to Quebec for a one week holiday last week.

I bought a new digital camera and am enjoying it.

The summer went too fast.

"Eviction Truck", Rockaways, NYC, Summer 2011. Juliana Beasley

"Young Woman in Front of Walmart", Quebec, Canada, Summer 2011. Juliana Beasley.

Year of the Purge

"Boy #1 at Storage with Back of Car Seat", Jersey City, NJ, 7/2011. Juliana Beasley. He was moving out with his older brother. Him and his brother had stored the back car seat in a storage room.

I would love to spend several hours working on an intricate blog post about how horrible my move out of storage was yesterday. Blow by Blow how the day unfolded. Unfortunately, as some bloggers know, time does not permit me. I will say one thing on this passage to freedom: getting lost on the Jersey Turnpike during rush hour will make even the most peaceful of devotees boil over into a fit of road rage.

This is the year of the purge. Now, instead of two storage spaces, I am a proud owner of one very organized storage space far out in Hudson County. Chances are I won't visit my storage space for another 10 years. However, all the stuff... photographs, books, clothes, kitchen ware and the boxes assigned as miscellaneous are no longer in some vague and esoteric holding space. All is now packed sky high in my parlor level apartment. As a friend said to me upon seeing the piles of banker boxes and Hefty Heavy Duty bags, "thank God you have a large apartment.

"Storage Spaces #1", Hudson County, NJ, 7/2011. Juliana Beasley

  

"Storage Belongings #1",,Jersey City, NJ, 7/2011. Juliana Beasley.  Bag of recyclable bottles, Rocking Horse, and filled garbage bag were some of the few random items stored for one owner. These were the belongings being removed from one storage space yesterday.

"Storage Space Elevators", Jersey City, NJ, 7/2011. Juliana Beasley

Now, comes the worst part or the selling, haggling and then finally disposing the remnants of whatever doesn't exchange hands from me as seller to buyer. The point is to get rid of it as quickly as possible. The point is to ignore subconscious infantile feelings of loss, pain and suffering that can come with the emotional attachment of material items or the disdain of an object that once held so much love and promise. Soldier onward! Ruthless I must be!

"Phil in U-Haul", Hudson County, NJ, 7/2011. Juliana Beasley

I am downsizing and downgrading. "More is less"is a cliche fits but fits here. All those Buddhist and self-help books on tackling procrastination, ADD, and organizational tactics for the right brained challenges that plague me have planted a seed of freedom and sunshine that I hope will greet me on the other side of the chaos.

Pictures of chaos to come soon. I was waiting for the morning light to take the photos.

"My Mom's Film Projector", Hudson County, NJ, 7/2011. Juliana Beasley. Keep! This stayed in storage.

"My Gum Ball Machine", Hudson County, NJ, 7/2011. Juliana Beasley. Keep! This stayed in storage.

Thanks to dear friends who lift heavy boxes, drive U-hauls, and are left brained and no how to pack a storage space for best access. Without you guys, I would be sitting in a pile of shit. Literally!

Sisters

"Lisa", Rockaways, NYC. Spring, 2011. Juliana Beasley.

I met Lisa and Sandra four or five years ago out in the Rockaways. They are sisters.

I took these photos one day at the church where their foster father Pastor Gary presides in the Rockaways. I wish I had more time to spend with them, but they were rushing off with their family to lunch after services. 

"Sandra",  Rockaways, NYC. Spring, 2011. Juliana Beasley.

Joanna' Summer Luau Party!

"Baby John Running", Rockaway Park, NYC, June 2011. Juliana Beasley

I had a 10 hour photo blast shooting two Saturday's ago at Joanna's 8th birthday party at her Uncle Mike's house in the Rockaways.  My work in progress, a very new work in progress that began in the last week of May revolves around the Water sisters, their children and their children's children and their friends. The work will be a part of a group show entitled "Family Values" in a couple of weeks at Michael Mazzeo Gallery in Chelsea which opens on July 7th.

"Jean", Rockaways, NYC, June 2011. Juliana Beasley

I am excited to show off this work so early in the process.

"Joanne and her Grandson", Rockaways, NYC, June 2011. Juliana Beasley

Meanwhile, my book dummy of "Last Stop: Rockaway Park" is close to being bound together... By whom? By me!!!

Aloha!

Baby Toe Tag

"Baby Toe Tag", Rockaway Park, NYC, 05/11, Juliana Beasley.

I went out to the Rockaways a couple of Sundays ago with no particular agenda, just a camera, flash and film in a knapsack. I ended up sitting on a stool in a local pub that I often frequent when the owner, Carmel told me that Margie's (one of the bartenders who works there) granddaughter was being baptized that afternoon. I jumped on a local bus and scurried down several streets and into a church full of babies and their respective families sitting in pews. I had just missed the baptism. Just like I had missed my nephew's one hot summer day over a decade ago.

"Baby Ava in Her Baptism Gown", Rockaway Park, NYC, 05/11. Juliana Beasley

Little Ava had just been blessed. Margie invited me to a party after the baptism. I got in a big SUV with the family and was shuttled to an anonymous reception hall.

Slowly, the room began to fill. Ava was taking a break, sleeping in her stroller before all the guests arrived. I looked down at her little foot and noticed we had something in common. We like to hang one foot out from under the blanket when we sleep. I hear it's called the Irish foot.

"Photo Album and Baby", Rockaway Park, NYC, 05/11. Juliana Beasley.

More photos coming soon. Just gotta' warm up that scanner.

Pictures Without Stories?

"Father and Son at Bar Mitzvah", Paris, France, 2008. Juliana Beasley

Here are a couple of mixed random shots that I took in 2008 with my beloved Contax T2.  Each photo has a story. If I don't know the story, I can make it up. I have no other choice. Give me a picture, any picture and I will tell you there is a story to be told.


May 18th, 2011

Today, when I left my apartment, I shoved the my Contax T-2 into my knapsack and headed towards the Path train, making my way from Jersey City to the WTC stop in Manhattan. I'm not the sort of photographer that carries a camera with me at all times. I have special days when I plan to photograph something somewhere and then I have the other days. Sometimes on those other days, perfectly absurd and ironic and beautiful moments have appeared and happened before my eyes. There I am, empty handed and thrust into a storm of regrets, a world of ghostly photographs that never would be and never were.

"Flowers and Purse", Paris, France, 2008. Juliana Beasley

The excuses:

My make-up case and gel already weighed me down.

Did I have to choose between my personal journal, my agenda, my "project idea" notebook, my i-pod?

Oh, yes, my umbrella. It might rain later.

A hoodie. It might get chilly later if I stay out past sunset.

And I couldn't leave out my bottle of Diet Coke or Poland Springs or that extra large bottle of Ibuprofen. God only knows, I could get a headache at any given moment.

The camera was too bulky. I couldn't do it. I could easily convince myself that the chances of the lost photo op were much too slim. So, why bother? I could always take the camera with me tomorrow when I wasn't rushing out the door late on my way to an important appointment.

Out in the streets of Manhattan, I had already forgotten the small titanium bodied beauty at the bottom of my bag strapped over my shoulders. I went uptown to the upper east side to the podiatrist's office and then downtown to Chelsea to do some errands: the copy shop for laser prints, Staples to buy a stapler, Adorama to order some 4X6" prints for some of my subjects. I turned up the volume on my i-Pod and the Pet Shop Boys carried me effortlessly from one task to the next.

"New Jersey Businessman in Subway Station", NYC, NY, 2008. Juliana Beasley

By the time, I returned to my neighborhood in Jersey City and exited the Path Station, the sky was a surly gray. I stopped in the middle of the sidewalk and pulled out my umbrella, prepared for what looked like a downpour.

I walked up Mercer towards Jersey and half way down the block, I noticed an older man with dyed black hair and very high cheek bones eyeballing me. He was sitting in car in the driver's seat like a taxi driver waiting for a customer to come out of a building. His slender figure was accentuated under a loose blue satin jacket that matched the color of the interior of the car. I stared back, smiled and kept walking until several stoops later I set down my knapsack on one of the steps. I unzipped my bag and for a moment, I hoped my camera was in my bag. I worried that perhaps, I had only dreamt packing it away with me that morning before leaving the apartment.

I reached inside and felt the compact case and pulled it out. I got it!

"Abandoned Bungalow in the Rockaways", Queens, NYC, 2008. Juliana Beasley

Spazio Labo Brings Photography Workshops to New York!!

 Photos from last year's workshop 2010 by Erica McDonald.

I recently found out about "Photography Workshops in New York City" from fellow friend and photo comrade Erica McDonald when she asked me to come and present my work during a workshop she is co-teaching with Andrew Sullivan. Others presenters include Amy Stein, Spencer Platt, and Amy Touchette. How's that for variety?


This is the second year that under the umbrella of Erica's very multi-faceted photo organization, DEVELOP  teams up with the Italian photography association, Spazio Labo to teach a documentary workshop from May 22nd to May 28th. Spazio Labo is also offering two other photography workshops from May 4th to June 5th.  Just a note here: The DEVELOP link here is the You Tube Page. Erica has informed me that the DEVELOP website will be up soon... so, hold onto your hats kids! But, what a teaser!


Spazio Labo’ – Center of photography- is a cultural non profit Association founded in Bologna in January 2010 with the goal of spreading the culture of photography in all its many meanings and uses and to be a planning and production photographic centre, a real source of creation and exchange of proposals, an independent reality open to sharing the passion for photography.


The idea of the "Photography Workshop in New York" originated from the personal experiences of Laura de Marco and Roberto Alfano, founders of Spazio Labo’ – Center of Photography in Bologna, Italy. After both personally learning the in and outs of the NYC photo scene, they decided to put together a workshop program that would put students immediately in touch and in tune with the same experiences they developed over time. Their idea is to impart valuable information on students such as:  contact networks, training methods, creative atmospheres, possibilities for professional experience; all elements of the vast cultural offer characteristic of the city that can be considered as the current capital of the art of photography.


Here is a list of the three workshops being offered:

“In Plain Sight” with Donna Ferrato, May 14-20 

You can check out and read about Donna F. dazzling and inspiring her students on their blog. Fantastic Donna!

“The Personal Documentary” with Erica McDonald and Andrew Sullivan, May 22-28 

“New York Reports” with Davide Monteleone and Maurizio Garofalo, May 30 – June 5